To mark the conclusion of their "Third World Week" celebration, a cricket team in a small English village invites a black cricket team from South London to a charity game with comical results.

Boris and Hugo, 16-year-old friends, arrive at Hugo’s parents’ apartment. They have bought a gun. They set up a livestream video on the internet and announce that in one hour they will commit suicide. While Boris is sure about the decision, Hugo still has his doubts. In the final moments of their lives, sadism, homoeroticism, and destructive desire are released.

"I don't want people to say that I did the same shit my whole life. Typical tight ass every day." It almost appears to be an escape. An escape out of what we would call everyday life. David Keller decides to leave Germany, but not to lunge into any adventures. Instead everyday life has taken him with both of her strongest forces: consistency and pressure force him to capitulate and break out of his world, which is a world that is ruled by getting results, a world in which an individual loses his identity. A few weeks later David arrives at a camp for foreign aid in India seeking to do something good, something he can be proud of later. However he learns more than just about poor and thirsty children: their way of living couldn't be more different to the European way. It is a mentality in search of its own kind worldwide and one in which David makes not only new discoveries about himself. With this film production the students behind AWAY found themselves in the same situation - in the...

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A story of Wat Wanlayangkool who is a famous writer and a political activist. After the coup he became a political refugee and had to move far away from his family and his home.

When the horrific murder of nine Black churchgoers in Charleston, South Carolina in 2015 sparks a national reckoning around the meaning of the Confederate flag, battle lines are drawn in Mississippi to determine the fate of the last state flag to include the most powerful, and divisive, symbol of our fractured history. In Look Away, Look Away, director Patrick O'Connor introduces us to an array of activists, and captures the fierce five-year battle over the Mississippi state flag, revealing how race, heritage and long-simmering grievances over the Civil War shapes our sense of who we are as Americans.

John Barton holds a master class in how to play Shakespeare, using members of the RSC doing scenes, sonnets, and commentary as prime examples.

The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his family doctor. For Dr. Brandt (Anna Maria Mühe), out of personal conviction, it is out of the question to get her elderly but healthy patient a fatal preparation.

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